Tuesday, 23 October 2012

33 IRELAND - The Quiet, The Green, The Clean Empty Waves




Monday, 10th September, 2012

Lahinch, Clare

Listen to Nature.

I have a feeling we should have looked at Lahinch today. It’s raining but the wind has dropped. Instead we are driving north towards Easkey.




Torn, I am feeling on the low side. I even made Caroline cry earlier. Sorry



Easkey, Sligo
  
Easkey is quiet. I felt a tinge of excitement as we drew near. We approached the castle from the coast westward. Parking is easy, access is easy. The left was working and a few people were out. I should have gone in but I felt a little unsure. Hopefully the morning will be o.k. 




Bibliography

Cotton C, 2007 The Photograph As Contemporary Art Thames & Hudson: London
De Botton A, 2003 The Art of Travel Penguin: London
Newby E, 1995 A Book of Travellers’ Tales Pan Books Ltd: London
Perlmutter D and Koppman D, 1999 Reclaiming the Spiritual in Art: Contemporary Cross-cultural Perspectives State University of New York Press: New York
Sontag S, 2002 On Photography Penguin Group: London
Tolstoy L, 1969 What Is Art? And Essays on Art London: University Press Oxford
Turner V, 1967 The Forest of Symbols Ithaca, NY: Cornell University Press
Turner V, 1969 The Ritual Process Penguin 1969
Various, 1987 The Age of God-Kings 3000-1500 BC Time Life Books: USA
Vernon M, 2012 God The Big Questions Quercus: London




Copyright Mark King 2012































      





Monday, 22 October 2012

32 IRELAND - The Quiet, The Green, The Clean Empty Waves


Sunday, 9th September, 2012

 Left Right Here




Crab Island, Doolin, Clare, Ireland


Copyright Mark King 2012

















 

Sunday, 21 October 2012

31 IRELAND - The Quiet, The Green, The Clean Empty Waves


Sunday, 9th September, 2012

Lahinch, Clare

They say you shouldn’t meet your heroes. I feared this for Lahinch.



 It’s amazing how imagery can form an idealized notion of a place. As de Botton posits there is no point being demoralized because it is simply different. What reinforces any difference is the strong on-shore wind and the choppy sea. And so we move on. North




Crab Island, Doolin, Clare

A respite in a campsite. It has been a week since we left last Sunday. Today is our first shower. Glorious








      


In the last week I surfed 3 days. It is the first day of a new week and again I have not surfed. I have surfed 3 out of 8 days and 1 of those didn’t really count.

Tomorrow we head for Easkey. The forecast is for big surf and strong winds, predominantly from the west of north. Not a good sign but at least we have had a shower.

 

Bibliography

Cotton C, 2007 The Photograph As Contemporary Art Thames & Hudson: London
De Botton A, 2003 The Art of Travel Penguin: London
Newby E, 1995 A Book of Travellers’ Tales Pan Books Ltd: London
Perlmutter D and Koppman D, 1999 Reclaiming the Spiritual in Art: Contemporary Cross-cultural Perspectives State University of New York Press: New York
Sontag S, 2002 On Photography Penguin Group: London
Tolstoy L, 1969 What Is Art? And Essays on Art London: University Press Oxford
Turner V, 1967 The Forest of Symbols Ithaca, NY: Cornell University Press
Turner V, 1969 The Ritual Process Penguin 1969
Various, 1987 The Age of God-Kings 3000-1500 BC Time Life Books: USA
Vernon M, 2012 God The Big Questions Quercus: London


Copyright Mark King 2012
















 

30 IRELAND - The Quiet, The Green, The Clean Empty Waves


Saturday, 8th September, 2012

Left Right Here




Farrihy Bay, Clare, Ireland, September 8th, 2012

Copyright Mark King 2012




















 

Saturday, 20 October 2012

29 IRELAND - The Quiet, The Green, The Clean Empty Waves


Saturday, 8th September, 2012

Brandon Bay, Kerry





Moving. Sometimes it feels good to be moving again, simply enjoying the pleasure of driving to a new place, listening to music with the sun shining.


Before I was talking about perfection and the Brandon Mountain, nestled within are a number of houses, settlements. Does this effect perfection, I don’t know? I guess it reinforces the sceptics view concerning who can describe what perfection is. 




A few hours later and the feeling has changed. Tired from driving, stressed and moody from hunger and not being able to find the bay we are looking for. Also the guide book describes a beach-break that is not a beach-break. It is rock. And the waves are flat.

Farrihy Bay, Clare

A beautiful sunny evening in a beautiful isolated spot but as we walk across the boulder ridge that forms the beach, for Caroline she can only think of death. A contrasting thought to such a dreamy spot but then when you look.


Bibliography

Cotton C, 2007 The Photograph As Contemporary Art Thames & Hudson: London
De Botton A, 2003 The Art of Travel Penguin: London
Newby E, 1995 A Book of Travellers’ Tales Pan Books Ltd: London
Perlmutter D and Koppman D, 1999 Reclaiming the Spiritual in Art: Contemporary Cross-cultural Perspectives State University of New York Press: New York
Sontag S, 2002 On Photography Penguin Group: London
Tolstoy L, 1969 What Is Art? And Essays on Art London: University Press Oxford
Turner V, 1967 The Forest of Symbols Ithaca, NY: Cornell University Press
Turner V, 1969 The Ritual Process Penguin 1969
Various, 1987 The Age of God-Kings 3000-1500 BC Time Life Books: USA
Vernon M, 2012 God The Big Questions Quercus: London

Copyright Mark King 2012

















 

Friday, 19 October 2012

28 IRELAND - The Quiet, The Green, The Clean Empty Waves


Friday, 7th September, 2012

Communitas

Barbara and Christoph, Brandon Bay, Kerry



 Copyright Mark King 2012













  

27 IRELAND - The Quiet, The Green, The Clean Empty Waves


Friday, 7th September, 2012

Brandon Bay, Kerry







 “The Bathers”

 “Three Boys at Brandon Bay”



Copyright Mark King 2012